A road not taken and two
It is a poem about the necessity of choosing that somehow, like its author, never makes a choice itself—that instead repeatedly returns us to the same enigmatic, leaf-shadowed crossroads.
The road less traveled meaning
I doubt if I was tempted for a moment To sell them off their feet to go in cars And leave the slope behind the house all bare, Where the sun shines now no warmer than the moon. External factors therefore make up his mind for him. It consists of four stanzas of 5 lines each. But I might be taught I should suppose. It certainly made "all the difference," but Frost does not make it clear just what this difference is. The speaker is in two minds. She took a doubtful step and then undid it To raise herself and look again. The ambiguity springs from the question of free will versus determinism, whether the speaker in the poem consciously decides to take the road that is off the beaten track or only does so because he doesn't fancy the road with the bend in it. I'm not so much Unlike other folks as your standing there Apart would make me out. You're crying. He's encountered a turning point. People take it very seriously. Viewing a choice as a fork in a path, it becomes clear that we must choose one direction or another, but not both. Thus, one should make their decision swiftly and with confidence.
I must go-- Somewhere out of this house. This poem is about the road taken, to be sure, as well the road not taken, not necessarily the road less traveled.
But the world's evil. We typically worry more about where roads go than what they look like. Frost also mentions the color black in the lines: And both the morning equally lay In leaves no step had trodden black.
Poets, we assume, are not popular—at least after or so. Though in almost every line, in different positions, an iamb is replaced with an anapest.
The road not taken explanation line by line
I craved strong sweets, but those Seemed strong when I was young; The petal of the rose It was that stung. How can I make you--' 'If--you--do! Recall the final stanza: I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Which way will you go? He told Thomas: "No matter which road you take, you'll always sigh and wish you'd taken another. Frost is not simply that rare bird, a popular poet; he is one of the best-known personages of the past hundred years in any cultural arena. In all of American history, the only writers who can match or surpass him are Mark Twain and Edgar Allan Poe, and the only poet in the history of English-language verse who commands more attention is William Shakespeare. All of Robert Frost's poems can be found in this exceptional book, The Collected Poems , which I use for all my analyses. I must go-- Somewhere out of this house. Reading it, you feel that if John Ashbery were to write a Robert Frost poem, this is what it would sound like. Clearly, this is to emphasize that both roads appeared untouched, not having been tarnished by the foot of a previous traveler. The conclusion of the poem is a protest against conclusions—an argument, you might say, for delay. Weep for what little things could make them glad.
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